5/8/2023 0 Comments Tegan quin girlfriend![]() ![]() “Not that Clea and Laura were gonna run wild and have our mother end up in prison,” Tegan adds. She says that as executive producers, their role in development was focused more on being a source of information and protecting their real-life family and friends from misrepresentation. “We would send back notes and talk about what felt right, what didn’t,” Tegan says. After initial and thoroughgoing talks with DuVall about potential avenues the show could take - “Clea flew up to Vancouver and it was so fun,” Tegan says, “She came and hung out with us, and we would go for dinners, we would spend all day talking about what the show could be, what the possibilities were.” - DuVall wrote the initial pitch for the show, they say, and then went on to sell it.Īs DuVall and producer Laura Kittrell worked on worldbuilding and scriptwriting, they would send along scripts to Tegan and Sara. “And Railey called me one day and was like, ‘I’m at the mall, what kind of journal did you write in, in high school?’”Ī form of note-writing even came into play as the sisters executive-produced the show. before we started shooting the show, their acting coach had suggested that they get journals and write about their experience but kind of write from the perspective of their character, which I thought was really interesting,” Tegan says. “It’s really interesting actually, because when Seazynn and Railey were in L.A. It’s impossible not to pick up on the significance of letter-writing in their lives. They’re also straightforward descriptions of sequences of experiences or fights and work to document aspects of the Quins’ lives in remarkable detail. In the memoir and in the show, these notes - passed on lined paper torn from notebooks or in journals Tegan shared with her best friends - tend to function as sacred and weighty carriers of confessions of feelings and inner turmoil. The sisters turned to this trove of writing as they worked on their memoir and then the show. ![]() “We were obsessed with writing we were learning to talk about ourselves and to individuate and to be storytellers.” “Tegan and I were not academically driven in high school, but here we were involved in what essentially was a creative writing exercise almost daily,” Sara tells me of their letter-writing as teens. In reading the memoir, watching the series and speaking with the Grammy-nominated and Juno Award-winning sisters at this year’s Toronto International Film Festival (TIFF) (where the Clea DuVall- and Rebecca Asher-directed series premiered) this kind of letter-writing emerges as a subtle but direly crucial aspect in the story of High School and also the Quins’ lives. “Yes, I read it like five times,” Tegan replies. With a brilliant score and a heart-wrenching commitment to depicting the ups and downs not only of growing up gay in Calgarian suburbs in the ’90s but also what it looks like to craft an identity that is all one’s own, High School reminds us of the possibilities the coming-of-age genre contains.Ībout halfway through the Amazon Original series High School, based off Tegan and Sarah Quin’s 2019 bestselling memoir of the same name, the girls’ friend Maya (Amanda Fix) asks Tegan (Railey Gilliland), “Did you get my letter?” Based on Tegan and Sara’s bestselling memoir of the same name, High School is oftentimes gritty and raw, but so is teenagehood. High School, produced by the sisters and directed by their longtime friend Clea DuVall, intimately shows us all that it took for the sisters to get to this point. Why you should watch: The past 20 years have seen Tegan and Sara Quin become household names for their Grammy-nominated and Polaris Award-winning music and also for their work as LGBTQ+ activists. ![]()
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